Libyan literature is a general course that aims to focus on the history of Libyan literature since its inception. The subject matter of this course deals with the first signs of Libyan literature since the Ottoman Empire period, passing through the Italian colonial period, and finally the modern era. This study tool also displays the most prominent literary works and well-known symbols in the Libyan literary community by evoking poems, novels and Libyan literary stories that preserved Libyan history. On the other hand, knowing the aspects that influenced the Libyan literary movement.

The course introduces the student to the most important scientific foundations for the study of personality so that the student understands the individual differences between personalities, and thus acquaints the student with the scientific foundations and principles of analysis and the psychological study of personality

This course aims to teach students the principles and foundations of the science of narration in general, and in cinema and television in particular, and the extent of the importance of this lesson and its impact on the structure of the visual achievement, as it is one of the important and vital courses that began to take a large part in the modern narrative works, as it affects the style of storytelling and viewing and its effectiveness In raising the level of the artistic achievement to reach an integrated artistic and aesthetic vision of the cinematic and television image, as the narration is one of the first tasks that the image performs, so this course is concerned with knowing and consolidating all the main joints on which (narrative science) is based and making them available to students to develop their skills and artistic abilities According to the latest modern developments that constantly keep pace with this most important and influential cultural activity among the rest of the arts.

Teaching students the basic specialized skills for script writing, the methods and methods used to produce a specialized text for cinema and television, including the basic elements of the visual language in the visual medium, relying on literary skills for writing and building the story in a tight manner, starting from the idea to the literary scenario and then the executive scenario that each student must write as an achiever Final

Introducing the student to digital montage, how to use it for the most important and latest montage programs, and how to prepare a practical project of his own by focusing on each student in order to do practical training on that in order to fully prepare him to prepare his personal project in the next stage.

Teaching students the art of digital montage, by getting acquainted with one of the digital montage programs, as well as getting acquainted with the editing tools in cinema and television and his work team, and teaching students how to work the aesthetic employment of the elements of digital cinema montage, and tracking the work of each element and stage of work in the cinematic film or program Television, starting from planning filming and then actual filming, as well as choosing the methods of movement for the actors, all the way to the montage stage or the final form of the movie or television program.

Teaching students the art of deception and visual effects by recognizing the types of visual effects such as mechanical, electronic, optical and digital effects. Therefore, they identify the most important deception techniques, that is, they are employed in the film industry in the technique of problematic, virtual light, motion simulation technology, etc.

Teaching students the aesthetics of montage for cinema and television by getting acquainted with montage theories, methods, types, and mechanisms, and teaching students how to aesthetically employ montage mechanisms and programs, starting with filming footage and then linking it, and how to use appropriate aesthetic, dramatic, and expressive means of transmission to the aesthetic employment of visual and sound effects, leading to presenting the work in its final image.